A Research of Experimental Animation free essay sample

In many people’s opinions, animation means funny and humor and designed for children. The content of the animation is nothing more than fairy tales, legends, fables, etc. Animation even becomes a symbol of Disney cartoon. However, if we re-examine the animation from another point of view, we will find that it has grown out of a single commercial mode constraints. Some of the animations are complicated, obscure and abstract. Variety kinds of visual images in it stimulate the audiences optic nerves. This is the salient features of experimental animation. Experimental animation belongs to the field which between film and pure art. Innovation is the soul of it. In the production process, the choice of content subject is free and arbitrary. The famous experimental animation artist George Griffin said that experimental animation should not just kitsch, naive and Disney style. It should have its own animation pioneer, not too modest, not meet the review, not for prime time, and should not be mainstream, but totally should be alternative. We will write a custom essay sample on A Research of Experimental Animation or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page 1] Nowadays, more and more people are paying attention to individuality and originality. As a pioneer in film and television animation, experimental animation has done a lot of exploration and experimentation in profound content and advanced technology. Various forms of experimental animation style far beyond peoples imagination. It focuses on the exploration of ontological and also emphasizes originality. In modern society, as a primary means of academic research and the culture communication, experimental animation is famous to many animation artists for its unique artistic charm. This essay summarized the status and characters of experimental animation at first, it points out the importance of experimental animation as pioneer art. And its main trait is the pioneer and the exploration which exits in its form and connotation. Then summarize the actuality of Chinese experimental animation with the background of the development of experimental animation all over the world. Arguments for the concept of experimental animation * Concepts and Features In the early 30s of last century, when the animation started to be created ut of the Individual. Gradually developed a set of more mature production technology and process (to do multi-level shooting by using celluloid film and base on a story which has fixed form). When the group operation became the mainstream, those animations of artists which remain â€Å"self-style, form, techniques and production methods o to be known as the Experimental Animation. † [2] Experimental animation discussed in this article mai nly for commercial animation which is main part of animation. It is a broad concept. It refers to those animations with spirit of experimental exploration and had made a great breakthrough in aspects of concept, process, technology or manifestations. A Little Routine by George Griffin The target audiences of experimental animation are mainly adults. It focuses on exploration of animation’s ontological, emphases the originality. In early days, experimental animation has undergone a dramatic transformation when the avant-garde movement in art was developing. As of today, although the tools for creating are different, the spirit of experimentation and innovation which contains in it has been preserved. Throughout the development of animation, experimental animation always seems to be a guide for breakthrough in aspects of form and content. Most of the mainstream animations are reflection of current development of technology and market value. It fully presents the awareness of the creator and their views of social environment and cultural impact. Though the creation of experimental animation, we see the creation of diverse elements and new ideas. Experimental animation contains a wealth of human thought and creation experiment, the use of creative ideas and media is an important factor in experimental animation. With the different social environment, culture, ideology and aesthetics in different time, the concept of experimental animation and media are also change. Experimental animation is a creative artistic style of cartoon, which goes beyond the theoretical range of academic studies, and shows the practical meaning of animation. The research of the artists on this field drives the development of experimental animation art and leads to a plenty of top level experimental animation. Experimental Animation is short and pithy. The length is generally 1 to 30 minutes. Short animation has tens of seconds, the longer one has a half an hour long. Most of them are in fifteen minutes. Although comparing with 90-minute commercial animation film, experimental Animation seems too â€Å"simple†. However, in respect of narrative, it is not overshadow by any other animations. Referring to the difference between short experimental animation and full-length animation film, Famous Belgian animation artist Raul Se Wasi said that short films have their own structure, their own personality, specificities that are not found in a full-length film. It’s like the comparison between a short story and a novel. [3] He thinks a cartoon can say as much in ten minutes as a full-length film in one and a half hours. In addition to the abstract style of some of the experimental short films, experimental animation generally have a relatively complete story, narrative structure is more refined than the other kinds of animations. It is not under the control of the commercial factors. The creation process is independent and individual, and focus on personalized, stylized, with a Vanguard color are the main features of experimental animation. Other related concepts Since its independence from the constraints of commercial production mode, a lot of animation artists join the creation work of experimental animation. They convey their artistic philosophy to the audience by using a unique perspective and new forms of expression. Because it is primarily the creation of individual, and does not involve commercial factors, the production mode is also different with the mainstream commercial animation film. Experimental animation is also known as non-mainstream animation†. From the point of view of the artists’ individual creation, it is also known as artist animation. Some short animations also known as artistic short animation (experimental animation which is discussed in this article contains art short animation, is a relatively broad concept) because of a strong artistic. Experimental animations, not only in seeking innovation of art form, but also in terms of its content creators express artistic concepts and philosophical thought. From the target audience, it is not designed specifically for children, so it is also known as adult animation. * Classification of experimental animation There is no limit in material using of experimental animation . The numbers of different types of materials far beyond peoples imagination. In the aspects of material it can be divided into three categories: hand-drawn experimental animation, paper cut experimental animation and stop-motion experimental animation. Different kinds of material using have different visual effects. In the aspects of content, experimental animation can be divided into four categories: Emotional experimental animation, humorous experimental animation, philosophical experimental animation and exploring experimental animation. The background and influence of experimental animation Experimental Animation began in 1927 Walter Ruttmann’s Berlin: Symphony of a Great City. Traditional experimental animation began to focus on the exploration of the material and moving images. According to the history of animation, the techniques of animation start from experimental animation. Animation artists explored and innovated continuously in aspects of form and content with great enthusiasm. They summed up the basic techniques in animation, such as the principals of animation and time control technique, which laid a foundation for the production of commercial animation and promoted the development and maturity of the ccommercial animation. sunstone Sun Stone†, was created in 1979 by director Ed Ames Wheeler, was the first fine art, computer graphics movie. The rotating object indicated the appearance of the first three-dimensional animation films. After few years of the completion of â€Å"Sun Stone†, commercial 3D computer software and hardware came out. Experimental animation may cannot attract the audience or bring high box-office returns immediately. The purpose of the creator is not commercial. The exploration and experience will open the way to the development of the commercial animation, and these are the source of bringing audience surprise and inspiration. However, many experimental animation directors are not recognized by the society, because as an ndividual creation, experimental animation’s social influence and communication effectiveness is far less than commercial animation. At present, only directors of Croatia, Russia and a few of other countries have been officially recognized as part of the intellectual circles. Some of the professional animation studios, such as the National Film Board of Canada (NFB) and American co-production company (UPA), etc. made a great contribution for the development of experimental animation. The range of target audience of experimental animation may be relatively small. Many people do not appreciate the works of experimental animation. Even some professional animation artists think that most of the experimental animations are too rough and the characters are also lack of beauty. In fact, this is mainly because the creator tests new materials and media in the progress of exploring. There will always have some difficult problems during the probation period which lead to the animation seems to be â€Å"simple†. Moreover, the character design of the animation related to the aesthetics of the artist. It does not meet the character requirements of commercial animation. It demonstrates through the form of short animation, and also has a high degree of generality and originality. It conveys a lot of information in order to attract audiences. Many professional animation artists became too cautious due to the limit of animation technology. While experimental animation can meet their needs of art, and also enable them to achieve their artistic ideals. Experimental animation has a long historical process in the aspect of innovation of the form and content. Although it is independent of the mainstream entertainment economy, there are more and more fans join in the creating work of experimental animation which has increasingly become a symbol of prosperity and cultural industry. Overall, experimental animation with its uncommon original spirit, special audio-visual language, extremely individual expression way and the exploration of connotation, provided a free and open art battlefield for those artists whom love animation film with passion, the noumenon of animation got biggest display. Review of Chinese experimental animation Highly abstracted experimental animation appeared in the western countries during the early period. The experimental of Chinese animation gestate in the development of animation. Chinese experimental animation tries to cast off the effect of other form. To produce new style what have special feature of china. Absorb the express technology from Chinese traditional painting, Drama and other civilian art. Produce a lot of good works. But we have to say that Chinese is declining after a gold age time. Both the meaning and the express technology can’t dialog with international aesthetics and philosophy tide. So it must be a good thing to compare Chinese experimental animation with Europe experimental animation in order to find the difference between them. In China, most of the hand-drawing animations used commercial production methods But Chinese animation artists also created a lot of very ethnic and geographical characteristics style, such as ink animation. The content seems to be simple, and also a lack of philosophical. This is mainly because the animations are for different levels of audience. Animations in most western countries are adult-oriented, while most of the Chinese animations are for teenagers. Chinese experimental animation made a lot of exploration in artistic, but it is almost a blank in experimental and abstraction, which greatly limits the imagination of Chinese animation artists. three monks Personalization is not only the soul of art, but also the soul of animation artist. In 1950s, the Chinese animation developed a distinctive and consistent style, but the artists individual style had not been properly developed. Under the unified â€Å"common†, Chinese hand-drawn experimental animation is lack of a lively personality. Today, China is suffering the impact of modern economy, and is also facing new challenges of the values. Some people think that the reason why there is no development in Chinese animation industry is their concepts are too traditional. Some of Chinese animation artist even want to give up nationalization, and advocate changing to be international . Obviously, this is not a practicable plan. † Three monks†, produced by Shanghai Animation Film Studio, is a successful example. Although it incorporates modern elements of western countries, but fundamentally speaking, it should be classified in another tradition of the Chinese culture emphasizes spirituality. The innovation of narrative structure enriched the traditional style. † [4] Conclusion Experimental Animation combines elements of film, pure art, materials, music and graphic design. It is a composite art form. Its aesthetic origins came from western contemporary art and ideas in the field of new media. Experimental Animation is not only a manifestation of personality and formal innovation, but also includes in-depth thinking in philosophy, ideas and aesthetic. Known as the Chinese School of experimental animation had a very distinctive national characteristic, it based on the manifestations of traditional Chinese painting, folk art and opera, conveys an immersive art experience. Making good use of Chinese cultural elements can bring a better understand of the nationalization style and the traditional Chinese conception to the audience. However, nationalization style cannot rely on the accumulation of Chinese elements. Although there are Chinese elements in animation, but simply depend on the Chinese elements cannot interpret the Chinese conception. Chinese traditional and folk art is an inexhaustible source of art for us when we are creating animation. I think Chinese experimental animation can find way out from structure of Chinese art conception and spiritual levels.